The day culminates in “Spaces in Transit,” a panel that gathers professors, panelists, and invited guests to synthesize the day’s reflections. This wide-ranging dialogue investigates how cinematic thresholds—literal and metaphorical—redefine movement, identity, and temporality.
By showing how transitional environments can themselves carry narrative weight, the panel underscores production design as a philosophical practice that turns mobility and change into storytelling media. It is both a conclusion and a bridge, linking the insights of the first day to the speculative explorations of the next.
About the Organizer:
The Escuela Nacional de Artes Cinematográficas (ENAC–UNAM) is Mexico’s national film school and one of the most respected centers for cinematic education in Latin America. Founded in 1963 as the CUEC and now part of the National Autonomous University of Mexico (UNAM), ENAC trains filmmakers and audiovisual artists across all major disciplines. It is the only institution in Mexico that offers Production Design as a formal field of study within its Bachelor’s Degree in Cinematography, highlighting the creative and theoretical role of space, set construction, and visual worlds in cinematic storytelling.
