The second day ends with a forward-looking panel on speculative world-building and the role of artificial intelligence in film space. Designers, technologists, and scholars will debate the creative potential, aesthetic challenges, and ethical questions of AI-driven design. This finale positions production design at the crossroads of art and innovation, asking: how will future filmmakers weave together physical construction, digital imagery, and algorithmic processes? It’s a fitting close — an invitation to imagine cinematic environments that are hybrid, immersive, and evolving.
Additional event organisation by: Elva Yanuaria Algravez Espinoza, Jaime García Estrada, and Felipe Herrera Lozano
About the Organizer:
The Escuela Nacional de Artes Cinematográficas (ENAC–UNAM) is Mexico’s national film school and one of the most respected centers for cinematic education in Latin America. Founded in 1963 as the CUEC and now part of the National Autonomous University of Mexico (UNAM), ENAC trains filmmakers and audiovisual artists across all major disciplines. It is the only institution in Mexico that offers Production Design as a formal field of study within its Bachelor’s Degree in Cinematography, highlighting the creative and theoretical role of space, set construction, and visual worlds in cinematic storytelling.
