A partir do estudo de caso do longa-metragem D.P.A. 4 – O Fantástico Reino de Ondion, a diretora de arte Valéria Costa e a cenógrafa Emilia Merhy apresentam a importância da parceria entre direção de arte e supervisão de efeitos visuais em projetos em que a cenografia é majoritariamente digital.
Os efeitos visuais expandem as possibilidades narrativas e abrem novos caminhos de criação audiovisual, desde que se fundamentem em referências sólidas e sejam orientados pelo conceito visual estabelecido pela direção de arte. Dessa forma, garante-se a unidade estética entre todas as etapas de produção e os diferentes departamentos envolvidos na construção da imagem.
Organização adicional por Valeria Costa, Tainá Xavier, Amanda De Stéfani
Using the case study of the feature film D.P.A. 4 – The Fantastic Kingdom of Ondion, the production designer Valéria Costa and set designer Emilia Merhy present the importance of the partnership between production design and visual effects supervision in projects where the set design is predominantly digital.
Visual effects expand narrative possibilities and open up new avenues for audiovisual creation, provided they are based on solid references and guided by the visual concept established by the production designer. This ensures aesthetic unity across all stages of production and the various departments involved in creating the image.
The event is organized by Valeria Costa, Tainá Xavier, Amanda De Stéfani.
About the Organizer:
BRADA is a collective of female production designers of Brazil that, since 2020, has brought together more than 150 women from various regions of the country. The desire for unity and collaborative action led to the formation of the group, with a common goal of researching, discussing, and promoting the importance of art direction in Brazilian and international audiovisual production, striving for equity, solidarity, and cooperation in audiovisual production.
